Blocking 101 – Choreographing Actor Movements

As a director with over two decades of experience, I’ve learnt that one of the most crucial yet often overlooked aspects of filmmaking is blocking—the art of positioning and moving actors within a scene. Today, I’m sharing some essential insights into this fundamental directing skill.

What is Blocking?

Blocking is the precise choreography of actor movements and camera positions that bring a script to life. It’s where the magic of transforming written words into visual storytelling begins.

Key Principles of Effective Blocking

The foundation of effective blocking lies in understanding motivation and purpose. Every movement an actor makes must stem from a clear character motivation. This extends to how we utilise power dynamics in our scenes, through careful positioning, levels, and distance between characters, we can visually communicate relationships and status. Higher positions often suggest dominance, while proximity can convey intimacy or tension. Equally important is maintaining clear screen geography, establishing and consistently maintaining spatial relationships that audiences can easily follow throughout the scene.

Common Blocking Mistakes to Avoid

Through years of observing young directors on set, I’ve noticed several recurring issues. The most prevalent mistakes include creating movement solely for visual interest without narrative purpose, failing to consider practical camera placement limitations, and not accounting for lighting requirements when planning actor positions and movements.

Pro Tips from the Field

My experience has taught me several invaluable techniques for effective blocking. Begin rehearsals in an empty space, gradually adding set pieces to ensure movements emerge organically rather than being dictated by the environment. Always record blocking rehearsals on your phone, this simple practice allows for careful review and refinement before actual shooting begins. When planning your blocking, consider how it will affect your shot list and ensure you’re creating opportunities for dynamic coverage.

Conclusion

Remember, great blocking should feel invisible to the audience while subtly enhancing the emotional impact of every scene. It’s not about creating elaborate movement patterns but about serving the story in the most effective way possible.

Written by Mark Murphy Director