Mark Murphy

Film Director

Writer

Producer

Presenter

Mark Murphy

Film Director

Writer

Producer

Presenter

Blog Post

The Poetry of ‘Parasite’ – A Director’s Take on Bong Joon-ho’s Masterpiece

As a director, I am often asked about the films that have inspired me. One film that stands out in recent years is Bong Joon-ho’s “Parasite.” This cinematic masterpiece is not just a thrilling narrative but a poetic exploration of social class, human nature, and the invisible lines that divide us. Bong Joon-ho’s craftsmanship in this film has left an indelible mark on how I perceive the power of storytelling.

A Symbiotic Relationship

At its core, “Parasite” is a tale of two families from opposite ends of the socioeconomic spectrum. The Kim family, struggling to make ends meet, infiltrates the wealthy Park household under the guise of skilled workers. The film’s title, “Parasite,” cleverly encapsulates this relationship, where both families feed off each other in a delicate balance of dependency. The Kims, driven by desperation, latch onto the Parks, who in turn, unknowingly depend on the Kims to maintain their luxurious lifestyle. This mutual dependence underscores the film’s critique of societal structures, illustrating how the lives of the rich and the poor are intricately intertwined.

Visual Storytelling

Bong Joon-ho’s use of visual metaphors is nothing short of genius. The stark contrast between the cramped, semi-basement apartment of the Kim family and the sprawling, sun-drenched mansion of the Park family speaks volumes about their social status without uttering a single word. The verticality in the film’s architecture becomes a recurring motif, representing the social ladder that the Kim family aspires to climb. 

The rain sequence, where the Kims’ basement apartment gets flooded, serves as a powerful visual metaphor for the crushing weight of their socioeconomic struggles. The meticulous attention to detail in the set design and cinematography enhances the storytelling, making every frame a testament to the disparities that the film seeks to highlight.

The Power of Subtext

“Parasite” is a masterclass in subtext. Beneath the surface of its dark humour and suspense lies a profound commentary on inequality and the illusion of upward mobility. The film’s climax, a violent convergence of the two worlds, serves as a brutal reminder that the divide between rich and poor is not just a social construct but a dangerous reality. The subtle cues, from the recurring motif of smell to the symbolic use of the scholar’s rock, enrich the narrative and add layers of meaning. The scholar’s rock, for instance, symbolises hope and aspiration for the Kim family but ultimately becomes a burden, reflecting the unattainable dream of escaping poverty.

Crafting Characters with Depth

One of Bong Joon-ho’s greatest strengths as a director is his ability to create multi-dimensional characters. Each member of the Kim and Park families is meticulously crafted, with their own quirks, motivations, and flaws. This attention to detail makes them relatable, evoking empathy even when their actions are morally ambiguous. The Kims are depicted not just as conniving impostors but as a family bound by love, struggling to survive in an unforgiving world. Similarly, the Parks, despite their privilege, are portrayed with a degree of vulnerability, highlighting the universality of human emotions and desires. This nuanced character development ensures that the audience is constantly engaged, navigating the moral complexities of each character’s decisions.

A Universal Resonance

While “Parasite” is deeply rooted in South Korean culture, its themes resonate universally. In a world where economic disparity is ever-growing, the film’s message is both timely and timeless. It challenges us to reflect on our societal structures and the invisible barriers that perpetuate inequality. The film’s global acclaim, including its historic win at the Oscars, underscores its universal appeal. It speaks to the shared human experience of striving for a better life, the pervasive nature of class struggle, and the often insurmountable obstacles faced by the underprivileged. “Parasite” encourages a dialogue about the systemic issues that sustain inequality and compels us to question our role within these structures.

The Director’s Craft

Bong Joon-ho’s direction in “Parasite” is a masterclass in cinematic storytelling. His ability to blend genres—moving seamlessly from dark comedy to thriller to social drama—creates a dynamic and unpredictable narrative. The pacing of the film is meticulously controlled, with each scene building tension and contributing to the overarching themes. Bong’s collaborative approach with his cast and crew is evident in the film’s cohesive vision. The performances are uniformly stellar, with each actor bringing depth and authenticity to their roles. The film’s score, composed by Jung Jae-il, further elevates the storytelling, punctuating moments of tension and providing a haunting backdrop to the unfolding drama.

Conclusion

“Parasite” is more than just a film, it is a poetic reflection on the human condition. Bong Joon-ho’s impeccable direction, combined with a compelling narrative and rich symbolism, makes it a standout piece of cinema that will be studied and admired for generations to come. As a director, I am in awe of its artistry and inspired by its profound impact. The film’s ability to entertain while simultaneously delivering a powerful social critique is a testament to Bong Joon-ho’s genius.

In the end, “Parasite” reminds us that the lines that divide us are often of our own making, and it is only through understanding and empathy that we can hope to bridge them. The film serves as a poignant reminder of the shared humanity that connects us all, urging us to look beyond superficial differences and recognize the deeper, often invisible ties that bind us

Written by Mark Murphy Director

Taggs:
Write a comment